
“It’s a great thing to have a lady aboard with clean habits. It sets the man a good example. A man alone, he gets to living like a hog”
Next in my run through of Bogey classics is 1951′s ‘The African Queen’ which sits in the AFI’s top hundred films of all time. It’s kinda like an anti ‘Apocalypse Now’, in this sweet tale two lonely souls fall in love as they traverse the dangers of a Jungle river, where as in the similarly Jungle river bound ‘Apocalypse Now’ the characters just go insane and start chopping of people’s heads! So a tip for tourists; African river trip = romance / Cambodian river trip = plunge into nether regions of hell.

Unusually for the period, half of the film was shot on location in African and it was really worth the poisonous water, hornet attacks, illness and plagues of soldier ants that beset the crew. As the Jungle scenery is gorgeously shot by master cinematographer Jack Cardiff, who gives the film a lushly colourful, painterly quality. Humphrey Bogart’s performance as curmudgeonly riverboat Captain Charlie Allnut rightly won him the Oscar but Katharine Hepburn should’ve also received a gong for her portrayal of closeted Missionary Rose Sayer. The Blu-Ray transfer is awe-inspiring and ranks alongside ‘The Wizard Of Oz’ and ‘Gone With The Wind’ as the best presentations I’ve seen on the format. You can almost reach out and touch the African foliage, bare the searing heat and feel the bristles of Bogey’s stubble.

Legendary classic though it is, I’d never seen 1962′s ‘To Kill A Mockingbird’ although it did feel like I had. Scenes, lines, music, characters and story elements are so ubiquitous in popular culture that I already felt familiar with it through sheer osmosis. When I saw the new 50th Anniversary Blu-Ray in HMV I had to have it. The Blu-Ray disc comes within a thick hardbound scrap-book full of ephemera related to the film including reproductions of; the shooting schedule, Peck’s own script notes, stamps, storyboards, posters, press clippings and congratulatory even telegrams. It’s one of the most beautifully packaged presentations I’ve seen or owned (
Now onto what you get on the disc itself; most impressively you get two feature-length documentaries (So that’s three films for the price of one folks!), a Producer/Director commentary, an assortment of clips and featurettes and best of all (For film-geeks like me anyway) a documentary on the meticulous frame-by-frame restoration of the film undertaken by Universal Studios. Which brings me onto the staggering image quality which maybe the best preserved black and white film I’ve yet seen on Blu-Ray. In short, go out and buy it now!
Of course the film itself is incredible too, starting with the gorgeously shot opening credits. As towering, brave and decent as Gregory Peck’s Oscar-winning presence is it’s the naturalistic performances from the children that steal the show. Director Robert Mulligan’s decision to shoot the film entirely from a child’s-eye perspective is inspired. This allows us the viewer to intimately see their seemingly idyllic Southern town existence slowly being eroded by the dark underbelly of racism.